Kumpulan font-font profesional untuk desain web. font dikembangkan dari font standar Arial, Georgia, Verdana, Trebuchet MS, Calibri, Sans Serif, Cambria, Candara, Constantia dll

Everyone wants good looking fonts on their blogs or designs and the
importance of typography is design is unavoidable. With the adoption of
CSS (Cascading Style Sheet) in the domain of website design, a new era
has started where the art of topography underwent complete
transformation.

The suitability of various web design fonts makes it easier for the
readers and visitors to go through your articles. The correct font with
better accuracy, precision and balance can give your letter the
elegance and sharpness they deserve.

Font is the key element in the dynamic process of web designing and
plays vital role in spreading the true meaning to the words spelled in
the web site.A recent psychology study on furniture instructions has
shown that font selection is important: the more readible and legible a
font is, the more influence it has on a consumer’s perception of how
easy or difficult the navigation is.

Here’s an overview of over excellent free fonts that you might want to use in your designs. Some fonts, like Arial, Georgia, Verdana, Trebuchet MS, Calibri, Cambria, Candara, Constantia and Corbel are delivered almost “automatically”.

1. Share
   : The special font-family, Share, has been developed to advance the
   TYPO3 identity further and to maintain consistency across communication
   channels. Having a corporate font means making every print or screen
   design a completely recognizable product.
2. Quicksand Font by Andrew Paglinawan
3. Diavlo
   
   
4. Fertigo Pro
5. Anivers
   : A robust and rigid font, forgiving, flexible, elegant and also
   suitable for a broad use: from a stationery to a poster headline. A
   smashing serif freefont by Jos Buivenga, dedicated to the One-Year-Anniversary of Smashing Magazine.
   
   
6. Anomoly
7. Audimat : OpenType, Mac, PC, in four weights: regular, italic, bold, bold italic. Freeware, via fontleech
8. Auto : Auto is a sans serif typeface which has three different models of italics, each with its own flavour.
9. Avenir Standard : Adrian Frutiger designed Avenir in 1988, after years of having an interest in sans serif typefaces.
10. Byington
    : Inspired by the ancient carvings chiselled into Trajan’s column in
    Rome, Byington pays homage to Trajan’s venerable lines but strips away
    the subtle nuances usually associated with the classic design.
11. Cardo
    : Cardo is a large Unicode font specifically designed for the needs of
    classicists, Biblical scholars, medievalists, and linguists.
    
12. Bitstream Vera
13. Justus by Khunrath
14. Inconsolata : It is a monospace font, designed for code listings and the like, in print.
15. Charlotte Sans : Charlotte Sans™ is a font from Linotype library.
16. Chucara : Read in very small bodies, which supports printing on difficult surfaces (such as newsprint), and saving space page.
17. COM4t Fine Regular (Free Font
18. Day Roman :
19. Delicious
    : Special attention was given to character spacing to obtain a
    homogenic appearance. With it’s relatively large x-height the Delicious
    can be used for text in smaller point sizes. The Delicious italic is
    not a slanted roman, but a true italic. Serif, Mac / PC.
    
    
20. Dynasty Font Family
21. District Thin :The thinnest weight from GarageFonts’ District family, by Kienan and Dylan Smith. And it’s free! Give it a try.
22. Edifice by Dimitri Castrique
23. Engel Light Ltd
24. Existence Light
25. FF Mt : A new
    face that proves that type designers are a truly unique breed. An
    official statement tells us that “FF Mt uses up to 50% less paper,
    screen, and wall space than other text faces without a single condensed
    letter.”
26. Fontin
    : The Fontin is designed to be used at small sizes. The color is
    darkish, the spacing loose and the x-height tall. The numbers of the
    Fontin have a ‘hybrid’ design. They carry the characteristics of
    medieval numbers, but their size is larger than the x-height. Mac (Type
    1), PC (TTF, Opentype).
    
27. Fontin Sans : Available weights: regular, italic, bold, bold italic and small caps. It is a sans companion of Fontin and can be downloaded at Mac & PC (OpenType). Fontin Sans is absolutely free for personal and commercial use.
    
    
28. FF Reminga : The all-new OpenTypeFF Reminga is an improved version of an underused FontFont classic. Try the bold italic for free.
29. Union
30. Yanone Kaffeesatz : This “coffee”-font is supposed to be used in headlines and brief text passages;
    it shouldn’t, however, be used for body copy. The numbers and currency
    signs are monospaced, which means that they have the same width. This
    is useful if you’d like to place them on a restaurant menu beneath each
    other in a table.
    
    
31. Amplitude
    : A successful agate predicts the spread of ink on paper and
    effectively keeps legibility under less than ideal conditions.
    Fascinated by the visual aspects of these entirely functional
    compensations, Christian Schwartz designed Amplitude, an extensive
    sanserif series for text and display that turns function into style:
    deep angled cuts keep small sizes readable, while adding character at
    display sizes.
32. Warnock Pro:
    Warnock Pro Bold font. Fonts.com has the best selection of
    downloadable, design quality, True Type and PostScript fonts for Mac
    and Windows.
33. Vegur
34. Alte Haas Grostek by Yann Le Coroller
35. Univers Std : This OpenType font may include small caps, extra glyphs, andotherfeatures.
36. Trajan Font Family
    : In designing Trajan, Carol Twombly was influenced by the style of the
    chiseled writings of the Romans during the first century AD. Twombly
    completed the font with numerals and punctuation and added a bolder
    version for text which should be emphasized. Most importantly, her
    interpretation of an ancient style resulted in a font whose clarity and
    beauty come across in modern printed materials.
37. TheMix : Designed by Luc(as) de Groot
38. Tallys
    : Tallys is a font that is one degree slanted and has large caps, a
    small x-height and long ascenders. Only roman style is available.
    
    
    
39. Syntax Std
40. Stella
41. Steiner
    : Gabriele Magurno, the creator of Steiner, recommends the font for
    logo or decorative use. Steiner lacks a full array of symbols and
    letters, so the font should not be used in blocks of paragraph text.
    Steiner ranks as one of the most popular fonts on dafont.com, a free
    font hosting website.
42. Stalemate : This OpenType font may include small caps, extra glyphs, andotherfeatures.
43. Spirequal Light (Free Font)
    
44. Baar Sophia Font Free
    
45. Seravek
    : Seravek is a linear sans serif designed for identity, editorial and
    information design. Five weights spanning Bold to Extra Light with
    italics and small caps allow for a range of applications both
    typographic and utilitarian in nature.
46. Ronnia
    : One of the most remarkable characteristic of this humanistic sans
    serif is its versatility. Ronnia’s personality performs admirably in
    headlines, but is diffident enough for continuous text and small text
    alike.
47. Romeral
    : Romeral is designed to produce a noticeable visual impact that
    invites the audience to the reading due to its sizable thickness.
    Interestingly enough, the basic idea was to find a way to fill the
    color titles zone in order to create a comfortable atmosphere for the
    reading experience.
    
    
48. Rockwell
    : Rockwell font appeared with Monotype Design Studio in 1934, a time
    which saw the return to popularity of slab serif fonts. Rockwell’s
    strong and harmonious characters make this font particularly flexible
49. Qlassik by Dimitri Castrigue
50. Proxima Sans :Proxima Sans
    (1994) stradles the gap between typefaces like Futura and Akzidenz
    Grotesk. The oblique styles are optically adjusted, not just slanted
    versions of the roman.
51. Proxima Nova :Proxima Nova (2005)
    is a complete reworking of Proxima Sans (1994). The original six fonts
    (three weights with italics) have been expanded to 42 full-featured
    OpenType fonts.
52. Precious Serif : Designed to accompany and complement theSans
    family, each weight shares the same proportions of x-height, stem
    thickness and ascender/descender height as its corresponding Sans.
53. Precious Sans
    : In Cooke’s ongoing quest for simplicity and elegance he developed
    this striking alternative sans family. Starting with a hairline Thin
    and finishing with Ultra Black, Precious Sans has a comprehensive range
    of weights, fairly large x-height and open counters for maximum clarity
    when set in small point sizes.
54. Portland LDO
55. PMN Caecilia
    : PMN Caecilia™ is the premiere work of the Dutch designer Peter
    Matthias Noordzij. He made the first sketches for this slab serif
    design in 1983 during his third year of study in The Hague, and the
    full font family was released by Linotype in 1990. The PMN prefix
    represents the designer’s initials, and Caecilia is his wife’s name.
    This font has subtle variations of stroke thickness, a tall x-height,
    open counters, and vivacious true italics. Noordzij combined classical
    ductus with his own contemporary expression to create a friendly and
    versatile slab serif family. With numerous weights from light to heavy,
    and styles including small caps, Old style figures, and Central
    European characters, PMN Caecilia has all the elements necessary for
    rich typographic expression.
56. Pigiarniq Inuktitut font
    : Have you ever known about the existence of Nunavut? A small region in
    Canada with one of the lowest population rate of the world? Probably
    not. Only 0,01 people live there per km

    2

    , mostly Eskimo. The
    citizens of Nunabut speak four languages — French, English, Innuinaqtun
    and Inuktitut. Nothing spectacular so far, right?Few years ago the
    government of the region has decided to design a new typeface to enable
    its 28.000 citizens to use all four languages in a uniform manner. The
    result is a beautiful, rich and professional sans-serif free font. The family includes a bold, heavy, italic, light and regular weights.
    
57. Parisine
    : Parisine has been designed by Jean François Porchez in 1996 for Ratp
    to solely fulfil the unique needs of signage legibility. In 1999, the
    family was revised and extended for use in maps and external
    communication. Not connected with Ratp, Parisine Plus appeared also in
    1999. Much later, Parisine Office was created for Ratp’s internal and
    external communication.
58. Oregon LDO Font by Luke Owens
59. ITC Officiana Sans : ITC Officina® Sans is a font from Linotype library.
60. Neuzeit® S Std : This is an OpenType font.
61. Neo Sans : Both theNeo Sans and the more-minimalistNeo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, andNeo Tech offers a suite of alternate characters.
62. Myriad Pro
63. Museo
    : This OpenType font family comes in five weights and offers supports
    CE languages and even esperanto. Besides ligatures, contextual
    alternatives, stylistic alternates, fractions and proportional/tabular
    figures MUSEO also has a ‘case’ feature for case sensative forms.
64. Museo Sans : Museo Sans is based on the well-known Museo.
    It is a sturdy, low contrast, geometric, highly legible sans serif
    typeface very well suited for any display and text use. Two fonts are
    absolutely free!
    
65. 
66. Morpeth
    : Hardworking and versatile condensed sans family originally designed
    for Morpeth Borough’s wayfinding system and thus eminently usable for
    signage purposes. The 6 weight OpenType family includes discretionary
    ligatures, small caps, 5 sets of numerals plus coverage for Central
    European, Baltic and Turkish languages.
67. Metanoia Font by Lutz Baar
68. Mank Sans : Freefont designed by Manfred Klein.
69. Locator
70. Lido STF
    : The typeface is suitable for all periodicals wishing to abandon
    inconspicuously the hideous system typefaces with their even more
    hideous accents and to change over to the contemporary level of graphic
    design. It is also most convenient for everyday work in text editors
    and office applications.
71. Liberation Serif : Public domain / GNU GPL, Regular, Italic, Bold, Bold Italic, PC / Mac OS X
72. Liberation Sans : Public domain / GNU GPL, Regular, Italic, Bold, Bold Italic, PC / Mac OS X
73. LeMonde
    : Designed by Jean François Porchez, Le Monde Sans is a lineale type
    family—one which has been derived from serifed types—a practice that
    has now become commonplace.
74. Lacuna
    : To download the font enter the Flash page, click on “Glashaus Fonts”
    in the navigation menu at the top, in the opened page click on [MAC] or
    [PC] in the left menu to download the font. [via Typemotion.de]
75. Kontrapunkt
    : Kontrapunkt was awarded the Danish Design Prize for best typeface.
    The aim has been to develop a distinct font, with regards to both the
    inidividual character and the overall image as such. The typeface has
    so far been developed in a light, light italic and bold version.
76. Kievit
77. KelvinGrove
    : Kelvingrove is an attractive new small-cap copperplate with alternate
    swash K, Q and R. A small ampersand is also included. The numerals are
    perfectly balanced to work with either caps or small caps
78. Interstate
79. Helvetica Neue Std
80. Helvetica Std : Helvetica is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger.
81. Guardian : Commissioned by Mark Porter at The Guardian. Designed with Paul Barnes. Will be available for licensing from mid-2008.
82. GreyScale Basic Regular
83. Glasgow : Re-tooled from the QBF Collection
84. Gill Sans Std
85. Geo Sans Light : by Manfred Klein
86. Gentium
    : Gentium is a typeface family designed to enable the diverse ethnic
    groups around the world who use the Latin script to produce readable,
    high-quality publications. It supports a wide range of Latin-based
    alphabets and includes glyphs that correspond to all the Latin ranges
    of Unicode.
87. Gauntlet : Free version available for download here.
88. Future Std
    : Futura is a geometric sans-serif typeface designed between 1924 and
    1926 by Paul Renner. It is based on geometric shapes that became
    representative visual elements of the Bauhaus design style of
    1919–1933. A free version of this font, with slight variations are
    availablehere.
89. Frutiger Standard : Frutiger
    is a series of typefaces named after its designer, Adrian Frutiger.
    Initially available as a sans serif, it was later expanded to include
    ornamental and serif typefaces.
90. Freight Sans : Freight Sans has 20 fonts available for purchase as a package.

Hope you all enjoyed the list and will be useful to you all to make
your blog / web site / design much more elegant and expressive.

sumber

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